Summary
EDOUARD Lock caused quite a stir when his troupe last visited London back in 2000. The Canadian choreographer specialises in what you might call drastic classicism the balletic equivalent of thrash metal, if you like.
Out went the dainty ballerina, and in came the black-clad, mussed- hair, pointe-shoe wearing vixen. Faster and faster she moved, pushing herself, and us, to some new, unknown limit. It felt rather thrilling, a kind of blindingly fast dance noire whose inky chic had considerable allure.See the full content of this document
Extract
The Gym Bunnies Will Love It ; Review
Eight years on and I have to confess I can't see what the fuss was about. Lock's cho...
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