Summary
EVER since I went to the British premiere of Ocean, by Merce Cunningham, at the Roundhouse two years ago, I vowed never to watch contemporary dance again. The music was cacophonous, the choreography inexplicable and rarely have I seen so many audience members leave before the end of a show.
On Saturday I broke my vow and went to Eonnagata at Sadler's Wells, a collaboration between Robert Lepage, Russell Maliphant and Sylvie Guillem (below). The production was a mixed bag but Guillem blew me away.See the full content of this document
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Ever Since I Went to the British
The ballerin...
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